When used in tandem with the included roll feeder, the Multifunction Roll System lets you load a second roll of media and seamlessly switch between the two. You can revoke your consent to receive emails at any time by using the SafeUnsubscribe SafeUnsubscribe® link, found at the bottom of every email. Figure 19 is a hybrid that demonstrates the printer’s versatility in colour and B&W within the same photo. I initially thought this would be an easy article to write because I had already written a review of the Pro-1000 for this website and Canon said the print head and the inkset are the same for the whole new line of Pro-1000, Pro-2000 and Pro-4000 printers. It uses the best archival pigment ink that Canon … It took us between four to 10 minutes per print, depending on the size. As I mentioned earlier, the other two are OEM papers being marketed by Canon but not designed by Canon. The printer’s ability to handle two rolls of different paper sequentially (Figure 3) without the user needing to recharge the rollers each time provides a real efficiency boost when working back and forth between a pair of papers, as we did quite often during the testing work. The intention of the B&W photo (converted to B&W in Lightroom) was to show how well the printer reproduced tonal gradation in highlight to mid-tone areas, particularly affecting the billowy “feel” of the clouds, as well as the blacks and shadow detail in the lower right. Hence I shall expend much less space on what has already been said, but rather consider this an experience report on the underlying and cooperating factors that give rise to the excellent prints that the Canon Pro-1000 and Pro-2000 are capable of delivering. Further consultation with Canon revealed that they too had worked on this issue and they recommended I should not use ACPU for generating the profiling targets in these particular printers, but rather their own utility – Photoshop Plugin Print Studio Pro Version 2.1.0 (hereafter PSP), with the Color Mode set to “No Color Correction”. Monochrome images displayed excellent tonality and contrast. To very briefly summarize my findings on (1) determined on the basis of creating L*a*b* variances from patch values of a GMCC, which I may write-up one of these days, generally a side-by-side comparison of divergent L* values would show-up a difference as little as 1 level and a more pronounced difference from 2 levels onward. While the printer sits on rollers, we’d be reluctant to roll it around all that much. This is slower than the Canon PRO-100's average of 1 minute 17 seconds to output a 4-by-6-inch print and 2:01 for an 8 by 10, but faster than the Canon PRO-1's times of 2:14 and 3:53, … Review of Canon PRO-2000. See my full PRO-1000 review here and my PRO-2000 review here. Bottom line: use the profiles meant for each printer model. It does not require user intervention to evaluate the correctness of patches in the calibration target. Therefore, they needed and developed new methods – in particular a mathematical model deriving from the physics of light reflectance that would highly correlate the results of measurements (of L* and optical density) with those of subjective evaluation. I was impressed with the ease of assembling the stand (Figure 1) and print receptacle basket (which can be set in five different positions) – the only “tough” part being the four guys needed to displace the printer onto the stand (Figure 2). The Canon PRO-2000 is a 12 colour (11 inks plus a Chroma Optimiser) printer and the Epson SC-P7000 is an 11 colour printer. I say this because the printer has already been well-reviewed … The Canon imagePROGRAF PRO-1000 costs £999 / $1299, and an individual ink tank costs £42.49 for 80.0ml (full set is £509.88). The latest in printing, papers and post storage on display during PHOTOPLUS in New York City this last October. This is a large format photo ink jet printer that supports up to 24" wide rolls. So we use good profiles, whether OEM or custom, in order to make good prints with as little waste as possible, and it is here where the Canon Pro series printers really shine. Workflow enhancements include the use of three L-COA PRO processing chips for faster data crunching and a built-in hard drive so print jobs can be quickly off-loaded from a PC and onto the printer. The sheet sizes for North America are US Letter, 13*19 inch and 17*22 inch. Moving on to item (2), using Pro-1000 profiles in the Pro-2000: I merrily set-about creating a custom profile in my usual way – using the Adobe Color Print Utility (ACPU) to print the profiling targets (because colour management needs to be disabled and this utility is *supposed to do that* and always did in the past), then measuring them with my i1Pro 2 and making three profiles corresponding with M0, M1 and M2 conditions. The imagePROGRAF PRO-200 can … Once a group of photos is opened and selected in PSP and the print settings chosen, one can click Print and move on to something else. In this article, I have chosen to focus on several key elements relating to overall usability and print quality. Much more about these papers further on. In this article, I have chosen to focus on several key elements relating to overall usability and print quality. Once average dE results begin to exceed say 2.0~3.0 the extent of the dispersion of various individual dE values around the average could become bothersome depending on the extent of the variances of each colour from the average. Also note the L* values for Black (K) – much higher (i.e. Then Canon Inc. used this model for evaluative purposes in reformulating and optimizing the potential gamut provided from their inkset, one important element of which was the decision to replace the Green ink with Chroma optimizer. One observer preferred the Hahn PRBar from the Pro1000 for both Black appearance and vibrancy, but found the FA Smooth from the Pro1000/2000 very close contenders. I started with FAS, which has become a favorite of mine, and obtained an average dE(76) of 0.67 (Figure 13) – the best result I have ever achieved with any test since I started doing this. Luminous Landscape will use the information you provide on this form to be in touch with you and to provide updates and marketing. On print appearance, there has been some recent conversation in the LuLa Forum about gloss differential and bronzing with the Luster/Gloss classes of papers. Therefore, they needed and developed new methods – in particular a mathematical model deriving from the physics of light reflectance that would highly correlate the results of measurements (of L* and optical density) with those of subjective evaluation. So the Canon folks have done something very special with this combination of inkset and papers – getting much closer to an appearance match between the matte and luster papers, making the matte look considerably blacker and more vibrant than we are accustomed to seeing from a matte paper. So when we have profiles with average dE for 24 colours exceeding 2.0 ~ 3.0 (recognizing of course that some colours are above and others below that average difference), the general appearance of the results in a print with millions of intermingled colours may still be acceptable to a great many viewers. I also tested printing the profiling targets in the Pro-2000 printer directly from i1Profiler, but the results from that exercise mildly exceeded my acceptable range. The new models use the one larger printhead rather than two smaller ones. Patiño says he generated roughly 30 20 x 30-inch prints before the black ink was tapped out. Firstly, however, I would like to briefly summarize my key observations about features of this printer that stand out in my mind. Relevant to our current topic, OEM profiles for these papers were not yet available at the time. Introducing the Canon imagePROGRAF PRO-2000 professional large-format printer. With support for pages … The print head is also wider than the prior model and features anti-clogging technology to reduce maintenance and down time. Patiño says he likes the fact that the print head is self-installable, so when it taps out, it’s easy to replace yourself. The results of this exercise were excellent: an average dE(76) of 0.75 – one of my best  (Figure 12). This reassured me that the methodology *can be* fine. Canon’s Print Studio Pro software acts as a Photoshop automation. That said, Epson’s P6000 takes two fewer cartridges. CONS: Can’t return to image editing when Canon Print Studio software is open; ink costs can add up quickly. Canon Pro-4000 & Pro-2000 This is a review of the Canon … Recognizing that good profiling begins with correctly printing the profiling targets, I began to wonder whether I was committing some very basic procedural error causing this seemingly endless odyssey of unsatisfactory profiling or profile accuracy measurement. But clearly not “all else is equal”; so “what gives” between ACPU and the Canon driver with this Pro-2000 printer? About Us | All three papers (Premium FASmooth, FABrightWhite, FAPolRag) have cotton rag substrate and no OBAs. I was thinking of buying PROGRAF iPF6400 but somehow could not … Canon ImagePROGRAF PRO-2000 24" Printer Now Replaced by the Canon ImagePROGRAF PRO-2100 24" Printer The imagePROGRAF PRO-2000 A1 (24″) printer is designed to bring stunning image quality to … different machines of the same model, different printing environment). This is a handy feature for commercial printing environments where high-productivity translates into money, and it assures that the principal cartridges are empty before being discarded – all of its ink has passed into the sub-tanks by the time it needs replacement. The inks h… They did a rethink of certain key aspects of printing technology from first principles. That said, thanks to the built-in hard drive, you can move print files from your PC to the printer and free up your PC’s memory for other tasks. Before moving on from the topic completely, this discussion leaves open one nagging issue about whether it is OK to use OEM (aka “canned” profiles) for making prints; after all not everyone has profiling equipment or wants to use a custom service. I participated in setting up the first Pro-2000 that Canon Canada received, in their printer lab, at the time located in Mississauga Ontario. We asked Patiño whether he would buy the imagePROGRAF PRO-2000. Recognizing that good profiling begins with correctly printing the profiling targets, I began to wonder whether I was committing some very basic procedural error causing this seemingly endless odyssey of unsatisfactory profiling or profile accuracy measurement. In fact, the statistical and the visual results are all very impressive. Each different kind of media requires its own kind of image editing. The heart of the PRO-2000 is its 11-color LUCIA PRO ink set, which has been reformulated from the prior generation of Canon printers to deliver a higher Dmax and better gloss uniformity than earlier models. Reconfirming it, the read values of Black for the Epson P800 Epson Legacy Baryta and Hahn PhotoRag Baryta were 2.2 and 2.5 respectively – both supposedly by the L* numbers a tiny bit blacker than the Canon FA PolRag in the Pro1000/2000; however appearance-wise they are very close but not blacker looking. 11+1 pigment ink syste… I found it impossible to distinguish between the. Or put otherwise, due to certain limitations of spectrophotometers, a series of measured L*a*b* values versus the ordering of Black shades from dark to lighter reported by viewers’ subjective evaluation can be inconsistent depending on the characteristics of the observation environment – particularly the colour of the walls (e.g. Premium FAPolRag is really a superb paper in the cotton-rag luster niche, so I am encouraging Canon to try to obtain this paper in sheet form and market it for the Pro-1000 users who can’t attach rolls. It worked. When you’ve opened images in it, you’ll be unable to return to Photoshop to do further edits on the photo, which is inconvenient. They had to look long and hard, moving around the photo layout to make sure they viewed the prints at the most revealing lighting angles they could. Another very useful touch is the included Accounting Manager software. PRICE: $2,995 I did not use the B&W mode in the printer driver or PSP, because in general I like to retain full control and predictability over the tonality of my B&W prints (i.e. One observer preferred the Hahn PRBar from the Pro1000 for both Black appearance and vibrancy, but found the FA Smooth from the Pro1000/2000 very close contenders. I also found the large LCD panel with its distinct messaging and ease of use for accessing many of the printer’s functions a delight to work with. The depth is shallow enough to wheel the printer through a standard North American doorway (Figure 5). Review of Canon PRO-2000. I consider this to be a very significant breakthrough and was keen to move beyond targets and test pages to “real world photographs”. Figures 23 and 24 are from Goreme Turkey and Toronto respectively. It continues using the content of the sub-tank while the principal tank is replaced. Find 33 listings related to Canon Camera in Phoenix on YP.com. This was made possible because the ink tanks are positioned top-back rather than on the sides. I say this because the printer has already been well-reviewed (Keith Cooper, NorthLight Images, and Scott Martin, Onsight). Cartridges cost $97, $173 and $294 to replace, respectively. … It may also vary depending on the paper. The width is only wider than the carriage by the amount needed for the transport mechanism. I emphasize at this point that is very often the case that custom profiles will deliver more accurate results than supplier profiles for well known reasons (e.g. The software also allows for various page layouts, margins and cutting options. I put two questions to the observers: (1) which sample has the deepest, richest-looking Black (the background) and (2) which displays the most colour vibrancy (the vase of flowers)? Canon has put a new inkset and new technologies into this … We paired with N.J. commercial photographer David Patiño to put the printer through its paces. With the recent launch of the HP Designjet Z9+ and Epson’s SureColor P6000, there are three 24-inch wide-format inkjet printers vying for your dollar. Between the ease-of-use and image quality, he says, it’s a great addition to any studio that wants to produce wide format images. The rendition of fine detail is remarkable. Canon is not alone in charging an arm and a leg for ink so it seems a bit churlish to point out that to refill all 11 inks on the PRO-2000 would cost you half as much as the printer itself. Hence I decided to switch the profile procedural testing from Canon Pro Luster to these new papers, but adhering to Canon’s advice re Media Types and to use PSP for printing the profiling targets. Obviously, the specific Pro-1000 in my studio is not equivalent to Canon’s new Pro-2000 – to an extent that exceeds the expected range of variation one would expect between two units of “the same” technology. Like I found for the Pro-1000, I think the Pro-2000 is a very fine printer and. and D50 white-point. Scientists in Canon’s Imaging Technology Development Center and Inkjet Device Development Center in Kanagawa have written-up the development of the model in two scientific papers that Canon Inc. provided to me, along with a file of one of the test images they use for evaluating Black and colour vibrancy (Figure 14). So this little excursion demonstrated several important things: (1) the basic methodology remains OK, all else equal, (2) OSX isn’t playing games with me and (3) the paper I was using is amenable to good profiling. The user registers the media type for each roll in the printer LCD menu; thereafter when selecting that media type in the driver for printing, the printer knows from which roll to draw the paper. I found it impossible to distinguish between the P800 and the Pro 1000 for the FA PolRag result, where the P800 is the deepest Black by 1 L*. I’ve had questions about this printer for many months since its launch in 2015, and now that they are shipping (Spring 2016) I’ve taken a long hard look at what it can do.I use Apple Macs for all my work, so the review is entirely based on using them, but apart from some screen layout differences, the functionality is essentially the same for Windows users.The basic specifications: [Full Specs at foot of article] 1. HP only offers one ink tank size for its Z9+, a 300ml ink tank that’s about $30 cheaper than those from Canon and Epson. Because good profiles are an important component to achieving good quality prints of predictable tone and colour; hence the question is whether this printer, inkset and a variety of papers are conducive to high quality, reliable profiling. I would like to acknowledge from the outset the very generous commitment of time, materials and insight that staff members of Canon Canada, Canon USA and Canon Inc. (Kanagawa, Japan) have contributed, enabling me to write this article, always based on the principle that I remain in charge of what I say here. Welcome to the first of my multi-part review of the Canon PRO-2000. I just happen to be more comfortable – and perhaps it makes soft-proofing more reliable – using profiles that render image file values quite correctly. This methodology is further explained in my review of the Pro-1000 (where I also mention the caveats) so I won’t repeat the details here. Enter a new suite of papers to work with. This outcome is also very satisfying. The test prints I made using the Atkinson printer test page for all these profiles indicate fully satisfactory rendition of memory colours, fully satisfactory rendition of shadow detail, exceptionally rich, neutral-looking Blacks and smooth tonal gradations for all three papers in both printers. It may also be appropriate to consider the possibility that the accuracy test itself could be influenced by subtle differences between the conditions in which the OEM profiles were made relative to those in which their outcomes and accuracy are being measured, such that consistency alone would favour the statistics for custom profiles, but perhaps not necessarily differentiate the prints. Canon considered that user evaluation is prone to user error so replaced it with sensors. INFO: www.usa.canon.com. The printer looks to be of very robust construction, is straightforward and easy to use, paper feeds very reliable, no channel-sharing of Black inks, compact for a printer of its carriage width and most important of all – it makes splendid prints if the profiles are good, the paper quality is good and the photos are suitably edited. Now, when you consider that the L* values read from the Black (L*0) patch of the accuracy test page with the i1Pro2 spectrophotometer indicate L* 13.8/14 for FA Smooth and 2.9/3.6 for FA PolRag, it is clear that the value of Black assessed from subjective evaluation and that read with the spectrophotometer don’t correlate – in the sense that the matte Black (FASmooth) doesn’t look ten levels lighter than the luster (FAPolRag) Black as the L* values would suggest it should, making the point of the Canon scientists. The matte paper is appropriate to the gritty feel of the subject matter. We mostly stuck to roll media in our tests, but loading sheets and rolls is quite easy, with clearly marked guidelines under the lid. The editing in LR for luster paper requires less adjustment for tone and vibrancy relative to the editing done for matte paper, in order to prevent exaggerated contrast and vibrancy on the PK-ink media. The analogue answer to digital photo frames, the Reframe makes it easy to change the prints hanging on your wall. The Canon faithful should be extremely pleased based on what I've seen so far. [Paper Key: = Canon Premium Fine Art Polished Rag; = Canon Premium Fine Art Bright White; = Canon Premium Fine Art Smooth; = Ilford Gold Fibre Silk; = Epson Legacy Baryta; = Hahnemuhle Photo Rag Baryta. Whereas the previous iPF6100, iPF6300 and iPF 6400 showed a steady evolution in design, the PRO series of printers looks distinctly different (links are to my reviews of previous models).The printer is bigger and heavier than previous models and has a much higher ink capacity – those two boxes at the rear hold 12 ink carts in sizes up to 700ml. The way I configured it shows “correct” and “deviating” patches side by side. The image quality was impeccable. Photography and Camera News, Reviews, and Inspiration. Readers of my Pro-1000 review may recall that this worked reasonably well, achieving an average dE of 1.26 for the Pro-1000 printer and Canon Pro Luster paper. This turned out to be more challenging than I expected because technical factors other than ink and print head upset the expectation of sameness across the board. All very acceptable. no comparator) GMCC patches with yet wider divergences from their reference file values can still look pretty normal. To celebrate the 40th anniversary of Tamron’s SP lens line, they’ve introduced a prime lens that represents the culmination of the design and technology skills they’ve amassed in over four decades of lens making, the SP 35mm f/1.4 Di USD for Canon and Nikon full-frame DSLRs. The red bar is the average of the 24 to the left of it. The 24" imagePROGRAF PRO-2000 printer is designed to exceed expectations for image quality and color consistency in a large format printer. Readers of my Pro-1000 review may recall that this worked reasonably well, achieving an average dE of 1.26 for the Pro-1000 printer and Canon Pro Luster paper. sub-illuminant, such as from walls of the viewing room). The fact that I’m trying to squeeze the very best I can out of these printers with custom profiling doesn’t mean that decent OEM profiles can’t be used to many peoples’ entire satisfaction, and the range shown here is decent. The Multifunction Roll unit will intelligently send a print job to the correct media. This is the kind of photo that could come out muddy looking on a matte paper, but between careful LR editing under soft-proof and the quality of the printer/paper combination, it doesn’t. The main reason for the difference is that in order to achieve faster but equivalent quality production from the Pro-2000, they needed to modify the manner in which the ink is laid on paper in the Pro-2000 and those changes created the need for specific Pro-2000 profiles. PROS: Beautiful image quality; print cost calculator software; built-in hard drive; ink tanks are hot-swappable; media is easy to load and calibrate. As I wrote in the review of my Canon PRO-10, that printer really made me want to print even larger format. It remains nonetheless possible and even likely that many users will find that profiles with accuracy in the range of 2 to 3 dE deliver perfectly acceptable print quality relative to their perception, taste and needs. The average dE(76) on my 24 patch GMCC (Gretag-Macbeth Color Checker) accuracy test image for Canon Pro Luster paper was 2.72 (Figure 8). This would be of particular interest to those using the printer in a high volume production environment. I made the Goreme photo with my Canon 1Ds MkIII and the Toronto photo with my Phase One P40+. The new printers contain an all-new ink formulation, which includes 11 colors plus a new Chroma … The media was Fuji Reala colour negative film, scanned in a Minolta Dimage Scan Elite 5400 scanner using SilverFast at about 4400 pixels long edge, (B&W conversion done back then with “Convert to B&W Pro” in Photoshop), resulting in 18 inch tall prints at about 240 output PPI and sent to print last week from Lightroom at 300 PPI resolution. lighter) for FASmooth than for FAPolRag, as expected. When the principal tank is empty, printing doesn’t stop. My operating system is Mac OSX either El Capitan or Mavericks depending on the computer in use. Well, yes and no. The printer will throw off a warning for individual ink cartridges as they run low, but even when the warning appears, you’ll still have enough reserve capacity in the tank to make a few more prints. (1) How good are the profiles that the printer manufacturer provides for its own papers and this printer? 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